Direct Link: https://soundcloud.com/allthebooks/atbs-episode-276-the-phoenix
The current show, But Have You Tried: https://buthaveyoutried.podbean.com/
The current show, But Have You Tried: https://buthaveyoutried.podbean.com/
This year, Eric and I reunited for a special episode of Comic Book Coffee Break, discussing our favorite comics from 2024. We had so much to cover we broke it into two parts!
Here are some of the things we discussed:
Eric -
Movies/TV/Games
Marvel
Lee/Kirby FF
Hellions
X-Men Red
X-Men ‘92 Krakoa
Thunderbolts
Maestro
Classic Daredevil
DC-
Demon Knights
Aquaman by Geoff Johns
Flash/Impulse Marc Waid
Batman & the Joker
Batman Chip Zdarsky
Others
Science Dog
Berserker
Nic
Movies/TV/Games
Gotham Knights TV/Game
Venom Last Dance
Joker Movies
Penguin
Games
Spider-Man 2
Star Trek Prodigy
Marvel
She-Hulk by Rainbow Rowell and Andres Genolet
Phoenix Resurrection by Matthew Rosenberg
Black Bolt by Saladin Ahmed
DC
Superman: Secret Identity by Kurt Busiek and Stuart Immonem
Fourth World Omnibus by Jack Kirby
One Star Squadron by Mark Russell
Bad Dreams by Nicole Maines
Others
Fire Power by Robert Kirkman
Green Hornet: Sky Lights by Scott Lobdell
Saga by Brian K. Vaughan and Fiona Staples
Quarter Bin Selection:
O So Long APC Puzzle from Batman 298
The End
This
year, I was awarded a full scholarship to attend the PLA Conference in
Columbus, Ohio. I had never attended one before and was eager to check out the
schedule of programs, guests and exhibitors. I found the app to be a useful
tool as I sat down to plan my conference experience.
One
that really stood out to me was called The Library as Studio: Why
Original Content Is Important For Libraries Today and Tomorrow, led by Mary
Kapusta and Casey Corneil. The concept of a library putting out original
content was not wholly new to me. Here at the David A. Howe Public Library, we
have had a podcast that also airs locally on FM radio since 2015. When the
pandemic forced us to quickly rethink everything, I was very relieved that we
already had the podcast as a programming outlet. It went on, unfazed by the
shutdowns, and truly showcased its importance to the library overall.
As
the speakers in this session covered, 2020 made us all start to look to video
options. We did things we hadn’t done before and found that, some of them, we
liked! While we’ve continued in some of these veins, video did not go on to
become a major part of our output. This session made me question why. When
discussing YouTube content, Kapusta and Corneil cautioned against treating it
as an archive for content (often outdated) to languish. I did feel a
little called out by that. Running through our
library channel in my mind as
the session continued, I identified several things that I knew were there that
shouldn’t be.
They
went on to express the importance of simple production values. Things like
sound, clarity and camera work can often feel like afterthoughts, especially in
live videos or quickie content. I appreciated some of their practical advice,
and they really drove home the idea of making original content stand on its
own. Aside from the podcast, I realized I considered a lot of our online and
video work as just supplemental. I was really challenged to flip that and
explore all that we might be leaving on the table.
It was great to hear from a library and librarians who have found success in
this area, and it was encouraging to look around and see so many people in the
seats having the same realizations as me. Now, we are better prepared to charge
forward. Let’s do it!
Movies/TV/Games
The Flash
Shazam Fury of the Gods
Marvel
Storm by Greg Pak
Dark Web by Zeb Wells and Adam Kubert
Amazing Spider-Man Beyond by Zeb Wells and Kelly Thompson
Amazing X-Men: World War Wendigo by Craig Kyle and Carlo Babiery
DC
Nightwing: Leaping Into the Night by Tom Taylor
Superman: Son of Kal-El by Tom Taylor, Nicole Maines and Cian Tormey
Infinite Frontier by Josh Williamson and Alitha Martinez
Wonder Woman: The Four Horsewomen by Steve Orlando, Jesus Marino and Keiran McKowan
Others
TMNT: The Last Ronin by Kevin Eastman
Mighty Morphin Power Rangers: Pink by Brendan Fletcher
Star Trek Discovery: Adventures in the 32nd Century by Mike Johnson and Angel Hernandez
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Thanks for joining me on my Comic Book Coffee Break! Today I'm having Jockey Streets Three Falls blend coffee with cream and Vanilla.
It's been a minute, but I eventually finished my New 52 Superman reread.
DC Comics
I don't even remember why now, but I decided to do a reread of the New 52 Superman. My memories were that It started clunky, but by the time I reached Final Days of Superman I was completely invested. I went back to see if I could capture that magic again, and found I really couldn't.
Wait though.
I was going to have my wife read along, but was only going to give her the necessary and/or top tier volumes to read. That proved harder than I'd expected. I did enjoy the second half of the reread, but I kept waiting for the one that knocked it out of the park and it just never really came. Still, when I got to Final Days, I found it just as moving. That Truth to Final Days stretch is some of my favorite Superman of all time. The issue is that it's not any one volume or story. And taken piecemeal, it doesn't really hold up. It's a package deal, and you've got to be in the right place for it or it doesn't land. So it didn't really work to isolate the best stories from the era. I think what I like is deeper than that. It gets the essence of Superman and his core goodness better than most.Starting with Truth his powers are in decline, but he can't stop being Superman. Not because of outside pressure or expectations, he just can't stop. It's who he is. Powers are irrelevant. So he just keeps going, even when it stops being practical or realistic.
Then you move into a false sense of security when powers are restored, only to be undercut with the events leading in to Final Days. Again, I don't think this should really work, but for me it did. The final issues are incredibly moving and I found myself mourning the New 52 version of the character. Even with the reveal that the original is back on the job, you still have to accept that the fact that the character you've been following since the Grant Morrison relaunch is just dead. And that's forever.
What's stark about that is typically, when a character dies in comics, it's rare that real feelings are attached because you know it isn't going to stick. This is different though, because, yes there will always be a Superman. Just not this one.
And I liked this one.
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Comic Books, Theatre, Podcasting and whatever else rolls out. -Nic Gunning